Documenting the Historical Pipe Organ of Peter Rumpel in the Church of St. George in Izlake

As part of the project of researching the Franc Goršič organ legacy, we documented the organ in the parish church of St. George in Izlake in August 2020. This historic organ, crafted in 1850, is attributed to the renowned organ builder Peter Rumpel (1787-1861) from Kamnik. Franc Goršič worked as an apprentice under Peter Rumpel for five years, from 1850 to 1855.

Organ console in the church of St. George in Izlake (Peter Rumpel, 1850)
Photo: Organistica

Scope of documentation

Technical documentation included the following measurements:

  • basic dimensions of the church, choir, organ case, and console
  • tuning and temperature
  • wind system
  • windchests and the pipes arrangement on the windchests
  • measurements of the pipes and pipe scales

Sound documentation of the instrument
Photodocumentation of the individual parts and details of the organ

Organ pipes in the church of St. George in Izlake (Peter Rumpel, 1850)
Photo: Organistica

Data and findings

Documented: August 7, 2020

Number of pipes: 476 (wood: 108, metal: 368)

The organ is mechanical with a slider chest:

  • Number of windchests: 2 (manual: 1, pedal: 1)
  • Wind pressure: 70 mm water column
  • Tuning: a1 = 253,0 Hz at 12,2 °C, humidity 65 % (November 21, 2022)
  • Wind system: double bellows with onefeeder bellows (electric blower)

The following modifications to the organ are known:

  • The organ originally had the Mixtura II 1′ register, which was replaced over time (by an unknown organ builder) by the Piccolo 1′ register.
  • Originally, the organ had one windchest with manual and the pedal Octavbas 8′ register, which was replaced by the Subbas 16′ register on a new pedal windchest behind the organ case when the organ was rebuilt in 1992 (Maribor Hoče Organ Workshop).
  • Most of the wooden pipes were replaced when the organ was rebuilt.

Notes:

  • Judging from the variety of signatures and signs of the pipe treatment, the authenticity of the instrument is questionable.
  • The original scale of the manual keyboard (short octave (C/E – f3)) is also questionable.
  • The painting of the organ case is not authentic.

Organ disposition

Manual (C – f3)Material
Principal 4’metal
Bordun 8′wood: C-h0, metal: c1-f3
Salicional 8′wood: C-H, metal: c0-f3
Flavta 4’C-H transmission from Salicional 8′, wood c0-f3
Vox coelestic 8’metal: e0-f3
Kvinta 2 2/3’wood: C-H, kovina: c0-f3
Oktava 2′metal
Kvinta 1 1/3’metal
Pikolo 1′metal
Pedal (C – f0)
Subbas 16’wood
  • Pipe organ console, church of St. George in Izlake (Peter Rumpel, 1850)
    Photo: Organistica

  • Drawstops of organ console, church of St. George in Izlake (Peter Rumpel, 1850)
    Photo: Organistica

  • Organ case, church of St. George in Izlake (Peter Rumpel, 1850)
    Photo: Organistica

  • The organ case inside view, church of St. George in Izlake (Peter Rumpel, 1850)
    Photo: Organistica

  • Double belows for the supply of manual and pedal, church of St. George in Izlake (Peter Rumpel, 1850)
    Photo: Organistica

  • Manual action details, church of St. George in Izlake (Peter Rumpel, 1850)
    Photo: Organistica

  • Pipes of manual, church of St. George in Izlake (Peter Rumpel, 1850)
    Photo: Organistica

  • Pipes of manual, church of St. George in Izlake (Peter Rumpel, 1850)
    Photo: Organistica

  • Pipes of manual, church of St. George in Izlake (Peter Rumpel, 1850)
    Photo: Organistica

  • Documenting the organ pipes, church of St. George in Izlake (Peter Rumpel, 1850)
    Photo: Organistica

  • Pikolo 1’ register pipe, church of St. George in Izlake (Peter Rumpel, 1850)
    Photo: Organistica

  • Flavta 4' register pipe, church of St. George in Izlake (Peter Rumpel, 1850)
    Photo: Organistica